• The tribal lives are to be die out. What appears, after someday, this tribe will remain as a word in future. One day, this vast and the ancient tribal inhabitant will efface. Most of us have not seen this inhabitant this is about to efface, they are only heard like a story by the people of city dwellers. They are assessed by very few people those who have come upon them in person. It is very rare people don’t know the reason why they prefer to reside in dense forest amidst the rill, hills. Some outsiders, they prefer to stay with them in spite of unfavourable condition for different intentions. Particularly, the stay there temporarily for preparing the film, documentary and research etc. Many things have been prepared on them. I, myself involved with the tribals of Koraput, Kalahandi, Kandhamal district of Odisha since two decades. A kind of intimacy has spontaneously been developed among them during my stay with them along with the social activists and organisers in their tribes. I have extended my co-operation and dedicated times for the awareness of the tribes against the multinational companies and made them conscious to fight for their land water forest and hills. I have travelled from forest to forest, village to village on feet to carry out the work success. People those who have lost their lives in that fighting, some pillars were constructed in their memory. When the tribals could not able to continue the spirit or fighting, at last they surrender their lands to the company and displaced with compensation from the land of their ancestors and move to other states for their livelihood. Due to owners outrage, many of them are migrating to neighbour states as daily wagers. There, they are exploited and forced to do excess labour and died of malnutrition, diseased and without food. On the otherhand, some religious fundamentalists have kept themselves busy in converting them into their religion. The regular and continuous conflict in between the tribal and non-tribals have compelled them to leave the place for ever, as a result of which these people are bound to live in town and city as daily wagers by leaving their permanent residence. It is seen, some organisers take initiative for the Boarding, lodging, education of tribal children with the funding of foreigners. In later period, the same tribal children being educated in modern city style forget all about their own culture and tradition. There is no end of suffering and exploitation of the tribal people because the landlords and zamindars were exploiting them in pre independent era and now the politicians and the wine dealers are doing the same job as before. It is only time has been changed, but there is no compromising in suffering and exploitation. These tribe lover tribals have been suffering and affected due to mismanagement of administration and they search for a rejected place to build their huts to earn their livelihood in town and city. The same sorts of fear, instability and no alternative are seen among tribals like the people of city. The long-preserved forest, hill and lands of the tribals have lost their identity and existence. There is continuous process of digging of mines and deforestation is going on uninterrupted. The social activists have made the tribals pur in the chess board of income.

    Many innocent tribals are sacrificed in the fighting of police and Maoists. For all these reasons, the tribals are floating in the favour of displacement. The practical and real experiences that I have gained during my stay with them to realise their struggle against modern civilisation and exploitation which have inspired me to preserve these burning situations in my writings, particularly, their culture, tradition and live style and struggle and displacement are the main sources and elements for the theme of my writings will remain as the records for these tribal people. – Prof. Bhima Prusty

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  • 12 Classic Short Stories From Around The World

    12 Classic Short Stories From Around The World

    About the Book:

    This anthology has 12 classical short stories from around the world.

    O. Henry’s sentimental story “The Gift of the Magi” was first published in The New York Sunday World under the title “Gifts of the Magi” on December 10, 1905 and was first published in the book form in the O. Henry Anthology “The Four Million” in April 1906.

    Guy de Maupassant’s The Necklace was first published on 17 February 1884 in the French newspaper Le Gaulois.

    Ambrose Bierce’s A Horseman in the sky was published on April 14, 1889 under the title The Horseman in the Sky in the Sunday edition of The Examiner, a San Francisco newspaper. It is set during the American Civil War and is one of Bierce’s best known war stories.

    H.H. Munro (Saki)’s short story The Open Window was first published in the Westminster Gazette on November 18, 1911. The story was collected in the 1914 anthology Beasts and Super-Beasts.

    American author Jack London’s adventure short story To Build a Fire was first published in The Youth’s Companion on May 29, 1902.

    W. W. Jacobs’s supernatural short story The Monkey’s Paw was first published in England in the collection The Lady of the Barge in September 1902. In the story, three wishes are granted to the owner of The Monkey’s Paw, but the wishes come with an enormous price for interfering with fate.

    Irish writer Liam O’Flaherty’s first published short story The Sniper was published in a London-based socialist weekly The New Leader on January 12, 1923. This is set during early weeks of the Irish Civil War.

    Frank R. Stockton’s much anthologized short story The Lady, or the Tiger was first published in the magazine The Century in 1882. “The Lady, or the Tiger?” has entered the English language as an allegorical expression, a shorthand indication or signifier, for a problem that is unsolvable.

    Richard Connell’s The Most Dangerous Game was first published in Collier’s on January 19, 1924. The story features a big-game hunter from New York City who falls off a yacht and swims to what seems to be an abandoned and isolated island in the Caribbean, where he is hunted by a Russian aristocrat. The story is inspired by the big-game hunting safaris in Africa and South America that were particularly fashionable among wealthy Americans in the 1920s.

    British writer H.G. Well’s apocalyptic short story The Star was published in the Christmas number of The Graphic in 1897. This begins with astronomers observing a star approaching the solar system. They calculate it will pass close to the Earth – perhaps even collide with it. As the ‘star’ comes nearer, reaction ranges from apathy to panic. Its gravitational pull causes earthquakes, tidal waves, and the melting of the ice caps. Millions are killed, although the star eventually misses the Earth and falls into the Sun, and the remaining population begin to rebuild their lives.

    Oscar Wilde’s short story The Canterville Ghost was the first of Wilde’s stories to be published, appearing in two parts in The Court and Society Review, 23 February and 2 March 1887. The story is about an American family who move to a castle haunted by the ghost of a dead nobleman, who killed his wife and was starved to death by his wife’s brothers. It has been adapted for the stage and screen several times.

    Hans Christian Andersen’s short story The Last Dream of Old Oak is an endearing story for all ages. This is another excellent Christmas Story and was published first time on March 2, 1858.

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  • 24ti Bharatiya Bhashara Nirbachita Galpa Sankalana

    24ti Bharatiya Bhashara Nirbachita Galpa Sankalana

    ଭାରତ ଏକ ଭାଷା ବହୁଳ ଦେଶ । ପ୍ରତ୍ୟେକ ରାଜ୍ୟର ଭାଷାରେ ନିଜ ନିଜର ସ୍ୱତନ୍ତ୍ରତା ରହିଛି । ପ୍ରତ୍ୟେକଙ୍କର ସାମାଜିକ, ସାଂସ୍କୃତିକ ବୈଚିତ୍ରତା ରହିଛି । ବିଭିନ୍ନ ଭାଷାଭାଷି ଲେଖକମାନଙ୍କର ଭିନ୍ନ ଭିନ୍ନ ଚିନ୍ତାଧାରା ଥିବା ଏବଂ ସମାଜକୁ ଦିଗ୍]ଦର୍ଶନ ଦେଉଥିବା ଗଳ୍ପଗୁଡ଼ିକ ପଢ଼ି ଓଡ଼ିଆରେ ଅନୁବାଦ କରି ଆମ ପାଠକମାନଙ୍କ ପାଖରେ ପହଞ୍ଚେଇବା ମୋର ଲକ୍ଷ । ଏହାଦ୍ୱାରା ଆମ ଓଡ଼ିଆ ସାହିତ୍ୟ ବିସ୍ତୃତ ଏବଂ ସମୃଦ୍ଧ ହେବ ବୋଲି ମୋର ବିଶ୍ୱାସ । ଅନୁବାଦ ସାହତ୍ୟ ଆମର ଦୃଷ୍ଟିକୋଣ ପ୍ରସାରିତ କରିଥାଏ । ଅନ୍ୟ ଭାଷାଭାଷି ସମାଜ ଓ ସଂସ୍କୃତି ସହିତ ପରିଚିତ କରାଇଥାଏ । ତେଣୁ ମୁଁ ଅନୁବାଦ ସାହିତ୍ୟକୁ ଗୁରୁତ୍ୱ ଦେଇଥାଏ । ଏହି ପୁସ୍ତକଟିରେ ଥିବା ଗଳ୍ପଗୁଡ଼ିକ ପାଠକମାନଙ୍କୁ ଆକୃଷ୍ଟ କରିବ ବୋଲି ଆଶାକରେ । — କନକ ମଞ୍ଜରୀ ସାହୁ

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  • A Slice of Trust

    A Slice of Trust

    Yashobanta Samal is one of those few storytellers in Odia who portrays the society around him with a sharp sense of humanity without loading the stories with heavy philosophical speculation or abstraction. The world as he surveys is not an ideal world; it is inhabited by people of all sorts of character who seem to be moving somewhere around us. Their honesty, simplicity, hypocrisy, follies and foibles constitute the warp and woof of the fabric of his stories. The characters with their commonplace attributes seem one amongst us; a familiar friend who has grown up with us; or an acquaintance next door or a simple folk we come across in our daily life whom we look up to with awe, wonder, ridicule, compassion and humour.

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  • Abolakara Kahani

    Abolakara Kahani

    Abolakara is a fictional character and many short stories are created around this character. He is the servant of a learned person (known as Santa, the master) who takes Abolakara with him wherever he goes. During the day they travel, and after the dusk they take rest. That time Santa asks Abolakara to spread the blanket and listen to his stories. These stories are called Abolakara Kahani.

    200.00
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  • Abujha Ae Mana

    Abujha Ae Mana

    “ଅବୁଝା ଏ ମନ” ବୁଝିବାକୁ ବହୁ ଚେଷ୍ଟା କଲି

    କେହି କହିବେନି ଗୋଟେ କଞ୍ଚା ହାତର କଅଁଳ ଫସଲ ବୋଲି । ଲେଖିକା ସମସାମୟିକ ସମାଜ ଆଉ ସାମାଜିକ ପରିସ୍ଥିତି ପ୍ରତି ଗଭୀର ସଚେତନ । ଜଣେ ମନସ୍ତତ୍ୱ କହେ, ପାରିବାରିକ, ସାମାଜିକ କ୍ରାନ୍ତିକାରୀ ଲେଖିକା । ଆମ ତେଲ ଲୁଣ ସଂସାର ଭିତରେ ଯୋଉକଥା, ଯୋଉ ଅନୁଭୁତି ମନର ତତ୍ୱରେ ତତ୍ୱରେ ରହିଛି ଅଥଚ ତାକୁ କାହାକୁ କହିହଉନି, ବୁଝି ବି ବୁଝି ହଉନି ।

    ଅନୁଭବର ଏ କଥନ ଓ ଲିଖନର ସୁଅ ମୁହଁରେ ଲେଖିକାର ଏ ପ୍ରକାର ଅଭିନବ ଶାଖ୍ୟ ସ୍ୱରୂପ କିଏ କେମିତି ବୁଝିବ କେଜାଣି । ପ୍ରତି ଛନ୍ଦରେ ପ୍ରତି କାହାଣୀରେ ଅକୁହା କଥାର ସ୍ୱର । ବିଦଗ୍ଧ ପ୍ରାଣୋଛଳ ପ୍ରତିବଦ୍ଧତାରେ ପାଠକ ବିମୁଗ୍ଧ ହେବେ ।

    ପରିବେଶରୁ, ସମାଜରୁ, ମନର ଅଭ୍ୟନ୍ତରରୁ ପ୍ରତି ନିୟତ ଘଟି ଚାଲିଥିବା ଛୋଟ ଛୋଟ ଘଟଣାକୁ ନିଜର ସମସ୍ତ ଅନୁଭବ ଓ ଅନୁରାଗ ଦେଇ ଭାଷାର ଖୋଳପା ପିନ୍ଧାଇ ପ୍ରତୀକ ଧର୍ମୀ ଗଳ୍ପଗୁଡିଏ, ସ୍ନିଗ୍ଧ, ଶୀତଳ ଓ ଜାଦୁକରୀ ଭାଷା ପ୍ରୟୋଗରେ ଜୀବନ୍ତ କରିଛନ୍ତି ଲେଖିକା ଅନାମିକା ।

    ସେ ବଡପୁଅର ବ୍ୟଥା ହେଉ କି ଦୁହିତାର ଉତ୍ସର୍ଗୀକୃତ ମହ୍ଲାର ହେଉ ବା ଦାମ୍ପତ୍ୟର ପାର୍ଥିବତା ଭିତରେ ଅପାର୍ଥିବ ପ୍ରେମର ରହସ୍ୟ ସାବିତ୍ରୀକୁ ଚିଠିରେ ହଉ ଅଥବା ଏକ ଅଜଣା ବ୍ୟଥାରେ କିନ୍ନରର ବ୍ୟାକୁଳ ପ୍ରାଣର ବେଦନା ହଉ, ନହେଲେ ଆପଣାର ମଣିଷ ଗୁଡିକୁ ସବୁଦିନ ଲାଗି ଛାଡି ଆସିବାର ରୁଦ୍ଧ ଯନ୍ତ୍ରଣାର ଅବୁଝା ମନ ହେଉ, ସବୁଥିରେ ଲେଖିକାଙ୍କର ସୃଜନର ଆରୋହଣ, ସମାଜର ଜୀବନ ଜଞ୍ଜାଳର ଜଣା କାହାଣୀକୁ ପାଠକ ନିକଟରେ ଖୁବ୍ ସହଜରେ ପହଞ୍ଚାଇ ପାରୁଥିବା ଏଇ ଉଚ୍ଚ ମୁଲ୍ୟବୋଧକ ପ୍ରୟାସ ଲାଗି ମୁଁ ଲେଖିକାଙ୍କୁ ଧନ୍ୟବାଦ ଜଣାଉଛି ।

    • ଡଃ. କାଳିପ୍ରସାଦ ମିଶ୍ର, ରାଜ୍ୟ ମୁଖ୍ୟ କମିଶନର, ଓଡିଶା ରାଜ୍ୟ ଭାରତ ସ୍କାଉଟସ୍ ଏବଂ ଗାଇଡସ୍]
    80.00
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  • Adhunika Hindi Galpamala

    Adhunika Hindi Galpamala

    This anthology of contemporary Hindi short stories in Odia translation has been awarded the BLACK EAGLE BOOKS First Book Award 2019. A collection of twenty five popular short stories of award-winning writers of Hindi literature has been translated seamlessly in Odia language. This is a great addition to the Odia translation literature. This anthology would help the readers to know more about contemporary Hindi short stories and it’s writers. This anthology would be a great help to the literature students who research on short story genre and translation. This is a highly recommended reading for young writers who want to work on translation genre.

    275.00
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  • Aesopra Indrajaala

    Aesopra Indrajaala

    Aesopra Indrajala (The Magic of Aesop) is a collection of hundred fables that presents a twenty-first century twist to Aesop’s works. This collection revisits Aesop and introspects the social milieu and existential crisis through a contemporary lens. This anthology is a confluence of the vibrant heterogeneity of ancient and modern that intertwines the distinct elements of both and introduces a new genre in the universe of short fiction. Aesopra Indrajala unfolds a multi-layered reading of the traditional Aesop. Individual stories have been interpreted simultaneously from various viewpoints making it a rare contribution to the Indian literary panorama. This fables of fables is rich in allegorical expressions and suggestive language. In a world where humanity is gradually losing its sheen this collection invokes the age-old consciousness of compassion and empathy.

    170.00
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  • Ajana Tithira Janha

    Ajana Tithira Janha

    This collection has twenty popular short stories selected considering the taste of the global Odia readers. Stories are “Ajana Tithira Janha”, “Rebati”, “Aranya Adima”, “Sudamara Thikana”, “Akashara Seema”, “Needa”, “Sachitra Itihasa”, “Bhai”, “Abarta”, “Madhyanhara Chhai”, “Bishalya”, “Sharbar”, “Dirghapatha”, “Atithi Sakala”, “Pratipaksha”, “Janharatira Geeta”, “Komala Gandhara”, “Abaroha”, “Kehi Jane Eka Eka” and “Moksha”.

    230.00
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  • Alpa Galpa

    Alpa Galpa

    ଏଇ ଗଳ୍ପ ସଂକଳନ – ‘ଅଳ୍ପ ଗଳ୍ପ’ରେ ସେ ଏକ ଭିନ୍ନ ଦୃଷ୍ଟିଭଙ୍ଗୀର ଅବତାରଣା କରିଛନ୍ତି । ସବୁ ଗଳ୍ପ ସାମାଜିକ କଥାବସ୍ତୁ ଉପରେ ଆଧାରିତ । ଅଧିକାଂଶ ଚରିତ୍ର ସାମାଜିକ ପୃଷ୍ଠଭୂମିରୁ ଆନୀତ । ଏକ ସାଧାରଣ/ସ୍ୱାଭାବିକ/ଚିରାଚରିତ ଜୀବନଶୈଳୀ ଭିତରେ ସେମାନଙ୍କ ଅସାଧାରଣ ବ୍ୟକ୍ତିଚରିତ୍ର ହିଁ ତାଙ୍କ ଗଳ୍ପର ଅନ୍ୟତମ ଦିଗ । ବିଭିନ୍ନ ସଂଘର୍ଷମୟ ପରିସ୍ଥିତିରେ ଥିବା ଏଇ ଚରିତ୍ରମାନଙ୍କ ଭିତରେ ପ୍ରତିଫଳିତ ଏକ ଗଭୀର ମାନବିକ ଆବେଦନ ହିଁ ତାଙ୍କ ରଚନାର ସ୍ୱାତନ୍ତ୍ର]୍ୟ ।

    150.00
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  • Ama Samayara Kahani: Piladina

    Ama Samayara Kahani: Piladina

    ଯେତେ ଯାହା ଚାହିଁଲେ ବି ପିଲାଦିନ ଆଉ ଫେରେ ନାହିଁ । ସ୍ମୃତିର ଆଲ୍]ବମ୍]ରେ ପୁରୁଣା ଫଟୋଟିଏ ପରି ସେ ପଛରେ ରହିଯାଏ । ଏଣିକି ମଣିଷକୁ ଫେରିବାକୁ ହୁଏ ପିଲାଦିନ ପାଖକୁ- ଗୀତ, ଗପ, ଉପନ୍ୟାସ ଓ ଚିତ୍ରର ଭରସାରେ ।

    ପିଲାଦିନ ଗପ ସଂକଳନ, ସେଇ ପିଲାଦିନକୁ ପାଖରେ ପାଇବାର ଆବେଗ ଆତୁର ଉଦ୍ୟମର ଫଳଶ୍ରୁତିଟିଏ । ଅନେକ ଦିନ ଧରି ଏମିତି ସ୍ୱପ୍ନଟିଏ ଥିଲା, ପିଲାଦିନର ସ୍ମୃତି ପରି ମୋ ପାଖେ ପାଖେ, ମାତ୍ର ସେଇ ସ୍ୱପ୍ନକୁ ବାସ୍ତବର ରୂପ ଦେବା ପାଇଁ ଅବକାଶ ଓ ଅବସର ଜୁଟୁ ନ ଥିଲା । ‘ପିଲାଦିନ’ ସଂକଳନ ‘ଆମ ସମୟର କାହାଣୀ’ ଶୃଙ୍ଖଳାର ପ୍ରଥମ ସଂକଳନ । ଗୋଟିଏ ଗୋଟିଏ ନିର୍ଦ୍ଦିଷ୍ଟ ଅନୁଭବ ଓ ପ୍ରସଙ୍ଗକୁ ନେଇ ଏଭଳି କେତେକ ଗଳ୍ପ ସଂକଳନ ପ୍ରକାଶ ପାଇଁ ଯେଉଁ ସାନ ଯୋଜନାଟିଏ ରହିଛି ଏଇଟି ତା’ର ପ୍ରଥମ ପଦକ୍ଷେପ । ଏହାର ଗପଗୁଡ଼ିକ ପିଲାଦିନକୁ ଖୋଜି ପାଇବାରେ ଗୋଟେ ଗୋଟେ ମଧୁର ପ୍ରୟାସ । ଏଗୁଡ଼ିକୁ ପଢ଼ିଲାବେଳେ ମୁଁ ନିଜେ ପ୍ରଚୁର ରସଘନ ମୁହୂର୍ତ୍ତର ସାନ୍ନିଧ୍ୟ ଲାଭ କରିଛି । ହସିଛି, କାନ୍ଦିଛି, ରୁଷିଛି ଓ ଭାବପ୍ରବଣ ହୋଇପଡ଼ିଛି । ସେଇ ସମ୍ଭବତଃ ମୋ ଉଦ୍ୟମର ଯଥାର୍ଥ ପାରିଶ୍ରମିକ । ଓଡ଼ିଆ ଭାଷାର ‘ପିଲାଦିନ’ର ଅନୁଭବ, ଅଭିଜ୍ଞତାକୁ ନେଇ ଆହୁରି ଅନେକ ଗପ ରହିଛି । ସବୁ ସମୟର କାହାଣୀ ଶୃଙ୍ଖଳାରେ ସେଭଳି ଗପଗୁଡ଼ିକୁ ଏକତ୍ର କରି ପ୍ରକାଶ କରିବାର ଯୋଜନା ମୋର ରହିଛି । ଇଏ କେବଳ ମୋ ଉଦ୍ୟମ ଓ ଆଭିମୁଖ୍ୟର ବିଶ୍ୱସନୀୟତା ସୃଷ୍ଟି ପାଇଁ ପ୍ରଥମ ପ୍ରୟାସ ।

    ଆଶା କରୁଛି ‘ପିଲାଦିନ’ ଆପଣମାନଙ୍କୁ ଭଲ ଲାଗିବ । ଏହାର ଚରିତ୍ରମାନେ ଆପଣଙ୍କୁ ଆଉ ଥରେ ଜହ୍ନପଖଳା ଗାଁର ଶାଗୁଆ କ୍ଷେତ, ବର୍ଷାଧୁଆ ଘାସ ପଡ଼ିଆ ଓ ଖରାଦିନର ଆମ୍ବତୋଟାକୁ ଡାକି ନେଇଯିବେ । ସେତକ କରିବାରେ ଯଦି ସେମାନେ ସମର୍ଥ ହୁଅନ୍ତି, ତାହାହେଲେ ମୋର ସବୁ ଶ୍ରମ ସାର୍ଥକ ହୋଇଯିବ ।

    ନୂତନ ସଂସ୍କରଣ ୨୦୨୩ ଗୌରହରି ଦାସ

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  • Ama Samayara Kahani: Prema

    Ama Samayara Kahani: Prema

    ଫୁଲଟିଏ ଫୁଟିଲେ ମଉଳି ଝଡ଼ିପଡ଼େ । ଗୀତଟିଏ ଗାଇବା ଆରମ୍ଭ ହେଲେ ସୁର ହୋଇ ସରିଯାଏ, କଥାଟିଏ ଆରମ୍ଭ ହେଲେ ଲଥାର ବାଙ୍କ ବୁଲାଣି ଦେଇ ଶେଷହୁଏ; କିନ୍ତୁ ପ୍ରେମ ଥରେ ଆରମ୍ଭ ହେଲେ ଆଉ ସେ ସରେ ନାହିଁ । ଜୀବନ ସାରା ମଧୁର କ୍ଷତଟିଏ ପରି ସେ ମଣିଷ ସାଙ୍ଗରେ ରହିଯାଏ, ସ୍ମୃତିକୋଷରେ ସାଇତି ହୋଇ ରହିଯାଏ ସେଇ ସଂପର୍କର ସୂଚିପତ୍ର । କେବେ କେବେ ସେସବୁ ଉଙ୍କିମାରେ ଆଖି ଉପକୂଳରେ ଲୁହ ହୋଇ, ଓଠ ତଟର କ୍ଷୀଣହସ ହୋଇ, କେବେ ପୁଣି ଛାତି ପଞ୍ଜରାର ପାହାଡ଼ ଖୋଲରେ ଦୀର୍ଘଶ୍ୱାସ ହୋଇ ।

    କିଏ ଜଣେ କହିଥିଲେ, ପ୍ରେମରେ ବିଫଳତା ବୋଲି କିଛି ନାହିଁ । ବିଫଳ ପ୍ରେମ ସୁଦ୍ଧା ଲୁହଧୁଆ ମନଆକାଶରେ କରୁଣ କିରଣ ବୁଣିଦିଏ । ସେଇ କରୁଣ କିରଣ ସୃଷ୍ଟି କରିଦିଏ ବର୍ଣ୍ଣିଳ ଇନ୍ଦ୍ରଧନୁ । ଇନ୍ଦ୍ରଧନୁରୁ ଜନ୍ମ ନିଏ କାବ୍ୟକବିତା, ଚିତ୍ର ଓ ସ୍ଥାପତ୍ୟ ।

    ପ୍ରେମର ପ୍ରଥମ ସର୍ତ୍ତ ହେଉଛି ତାହା ନିଃସର୍ତ୍ତ । ପୃଥିବୀର କୌଣସି ଯୁକ୍ତି, ଧରାବନ୍ଧା ଆଇନ ପ୍ରେମ ଆଗରେ ବାଟ ଓଗାଳି ଛିଡ଼ା ହୋଇପାରେ ନାହିଁ । ପ୍ରେମପାଇଁ ମଣିଷକୁ ପ୍ରଚୁର ମୂଲ୍ୟଦେବାକୁ ପଡ଼ିଛି – ଜୀବନ, ସଂପର୍କ, ସ୍ୱେଦ, ଶୋଣିତ, ସାଇତା ସଂପଦ ଓ ପ୍ରିୟ ପରିଧି । ସବୁ ସତ୍ତ୍ୱେ ପ୍ରେମ ବଞ୍ଚି ରହିଛି – ସାମାଜିକ ସ୍ୱୀକୃତି ମିଳୁ କି ନମିଳୁ, ଦାପ୍ତରିକ ସମ୍ମତି ଥାଉ ବା ନଥାଉ । ପ୍ରେମ ପାଇଁ କୌଣସି ପ୍ରତିବନ୍ଧକ ଅନତିକ୍ରମ୍ୟ ନୁହେଁ – ନା ଜାତି ନା ଜାତୀୟତା, ନା ଶାସ୍ତ୍ର ନା ଶାସ୍ତ୍ରୀୟତା । ସେଥିପାଇଁ କିଏ ପ୍ରେମର ପୃଥକ ପରିଭାଷା କରେ, ବ୍ୟାଧି ଓ ବିକୃତି, ଭୟଙ୍କର ପାଗଳପଣ । ସେଥିପାଇଁ ଗୀର୍ଜା, ଗୁରୁଦ୍ୱାର, ମନ୍ଦିର ଓ ମସ୍]ଜିଦ୍]ର ଦୁଆର ଆଉଜାଇ ନିଆଯାଏ, ସଜାଡ଼ି ରଖାଯାଏ ନିଆଁ ଓ ନାଗଫାଶ, ନାଲି ଆଖି ଦେଖାଏ ନୀତି ଓ ମୁକ୍ତିମଣ୍ଡପ । ମାତ୍ର ସବୁ ସତ୍ତ୍ୱେ ପ୍ରେମ ବଞ୍ଚିରହେ, ଝାଉଁଳି ଯାଇଥିବା ପ୍ରଣୟୀର ବୁକୁତଳେ ଲାଲ ଟୁକ୍]ଟୁକ୍ ସତେଜ ଗୋଲାପଟେ ପରି, ସମଗ୍ର ପୃଥିବୀକୁ ଆଶୀର୍ବାଦ କରିବାର ମୁଦ୍ରାରେ ସଭିଙ୍କୁ ଶିହରିତ କରୁଥାଏ । ଲୁହର ପଙ୍କଗଡ଼ିଆ ଭିତରୁ ପଦ୍ମର ପବିତ୍ରତାରେ ସେ ଚହଟି ଉଠୁଥାଏ । ଏହିଭଳି ଅନୁଭବ ଉପହାର ଦେଉଥିବା ଅଠେଇଶଟି ଗଳ୍ପର ସଂକଳନ ‘ଆମ ସମୟର କାହାଣୀ ପ୍ରେମ’

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