• Happiness Flows

    Happiness Flows

    The book Happiness Flows is a precious tool box that contains ingredients for your education and elevation. With the latest scientific research, it answers your deep rooted questions: What is positive life? Who are happy people? What can money do? What can’t money do? Are women happier than men? Does age foster or forestall happiness? How does your religiosity help you? Can you quantify your happiness? What can you boost your happiness? How can you enhance collective happiness? These and many more questions are answered in lucid, simple, yet authentic scientific style.

    1,200.00
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  • Harlem re Rati

    Harlem re Rati

    Harlem re Rati (Night in Harlem) is interestingly, the latest Poem of Haraprasad Das which lends the title to this remarkable compilation. This compilation of Odia poems by Haraprasad Das, has been done specially in fulfilment of the mission of Black Eagle Books to bring the ethno-global nuances of the very finest Odia Poetry, to the sprawling Odia diaspora. It may come as a pleasant surprise to the readers that the Indian New Poetry has broken away from the modernist stranglehold of the Global-West and has reinvented its modernity in Poetry by reusing all renewable implements of its civilizational experience. The poetry of Haraprasad Das, recipient of the highest National Honors for his Poetry, bears testimony to this. This, in fact, is the creative ferment with which Indian Poetry goes global and Odia Poetry is led firmly into the Twenty-first Century ! By publishing this remarkable work, Black Eagle Books fulfils a mission of engaging the world with the best of Odia literature.

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  • Hata Badheile Akasha

    Hata Badheile Akasha

    ‘ହାତ ବଢ଼େଇଲେ ଆକାଶ’ ସଂଯୁକ୍ତାଙ୍କର ପ୍ରଥମ କବିତା ସଂକଳନ। ବ୍ୟକ୍ତିତ୍ୱର ବିଭଙ୍ଗ ଚିତ୍ର, ମଣିଷର ନିରାପତ୍ତାଶୂନ୍ୟତା, ଆଧୁନିକ ଜୀବନଚର୍ଯ୍ୟାର ଅନ୍ତଃସାରଶୂନ୍ୟତା ସହ ଉଜୁଡ଼ି ଯାଉଥିବା ସଂପର୍କ ତାଙ୍କ କବିତାର ଉଲ୍ଲେଖନୀୟ ଉପାଦାନ। ଅକପଟ ବର୍ଣ୍ଣନାଶୈଳୀ, ସ୍ୱଚ୍ଛ ପ୍ରକାଶଭଙ୍ଗୀ ଏବଂ ଆବେଗପଖଳା ଶବ୍ଦବିନ୍ୟାସ ଯୋଗୁଁ ଏହି ସଂକଳନଟି କାବ୍ୟାମୋଦୀ ପାଠକମାନଙ୍କର ଦୃଷ୍ଟି ଆକର୍ଷଣ କରିବ।

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  • Hata Muthare Jibana

    Hata Muthare Jibana

    This book is an anthology of short stories in Odia, sensitive reflections of the author’s varied experiences, from travel to human relationships to sensitive portrayals of pertinent policing issues. An absorbing story-teller, the author’s creations are rooted in the soil. All the stories are endearing while being enduring in quality of writing. This is a collection of the author’s chosen stories, multifaceted and dynamic as its author.

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  • Hati Saja Kara

    Hati Saja Kara

    କାହାଣୀ ଆଉ ଗୀତ ଭିତରର ଦିଆନିଆ ମତେ ଅକ୍ଷୟ ମହାନ୍ତି ଶିଖାଇଥିଲେ । ଆଠ ଲାଇନ୍] ଭିତରେ ଗୋଟିଏ ସମ୍ପୂର୍ଣ୍ଣ ଗପ କହିବାର ଗଣିତ ମଧ୍ୟ ସେ ହିଁ ଶିଖାଇଥିଲେ । ପ୍ରତିଟି ଗୀତ ଯେ କେବଳ ଋତୁ ଅବା ସୌନ୍ଦର୍ଯ୍ୟର ବର୍ଣ୍ଣନା ନୁହେଁ, ତା’ପଛରେ ଥିବା ଗୋଟିଏ ଆହତ ବା ଅଭିଭୁତ ଚରିତ୍ରର ସଂଳାପ, ଆଉ ସେ ସଂଳାପର ନିଷ୍ଠା, କହିବାର ଅଲଗା ଢଙ୍ଗ ଯେ ତାକୁ ଆଧୁନିକ କରେ, ଏକଥା ବି ସେ’ଠୁ ଶିଖିଛି । ସେ ମୋତେ କହୁଥିଲେ ‘ଦେବଦାସ, ମୋ ଗୀତ ସବୁକୁ ତାରିଖ ଅନୁସାରେ ସଜେଇ ଦିଅ, ତା ମୋର ଆତ୍ମଜୀବନୀ ହୋଇଯିବ । ମୁଁ ସଙ୍କୋଚ କରି, ତାଙ୍କ ଆଢ଼ୁଆଳରେ, ମୋ ଲେଖା ସବୁକୁ ସେମିତି ସଜେଇ ଦେଖିଲି ଯେ କଥାଟା ମୋ ପାଇଁ ବି ସତ । ସେ ମତେ ଲୋର୍]କା, ଗାଲିବ୍], ଆଉ ଡିଲାନ୍] ଟମାସ୍] ପଢ଼ାଇ ବୁଝାଇଥିଲେ ଯେ ଗୀତ ଆଉ କବିତା ଭିତରେ କୌଣସି ଗୁଣଗତ ଫରକ ନାହିଁ । ଆଉ ଗୁଲ୍]ଜାର୍] ‘ଇଜାଜତ୍]’ ଫିଲ୍ମ ପାଇଁ ‘ମେରେ କୁଛ୍] ସାମାନ୍]’ ଲେଖିବାର ବହୁ ପୂର୍ବରୁ ସେ ମୋଠୁ ଲେଖାଇଥିଲେ ଅଦ୍ଭୁତ ଛନ୍ଦର କେତେ ଗଦ୍ୟ ଗୀତ । ବୋଉର ଭାଷା ଓ ଅକ୍ଷୟ ମହାନ୍ତିଙ୍କ ଢଙ୍ଗର ସମ୍ମିଶ୍ରଣରେ ତିଆରି ହୋଇଥିବା ‘ହାତୀ ସଜକର’ ଏକା ସାଙ୍ଗରେ ଗୀତର ବହି, ଆଉ କବିତାର ବହି ବି ।

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  • Head Office

    Head Office

    Sahadev Sahoo has published so far thirteen story collections and six novels in Odia and a novel in English (Concubine) to critical acclaim. He also writes features and essays in different Odia and English newspapers. Besides, he writes a blog which can be accessed at sahadevsworld.blogspot.com. He has received many awards and honours which include Bishuba Jhankar Galpa Samman, Fakir Mohan Upanayas Samman, Abani Baral Sahitya Samman, Akhil Katha Samman, Punannaba Galpa Samman, Subrat Smaraki Galpa Puraskar (Gangadhar Foundation), etc. This is the seventh novel of the author.

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  • Hey Jibana

    Hey Jibana

    ବ୍ୟକ୍ତିନିଷ୍ଠ ବିଷୟବସ୍ତୁକୁ ପରିତ୍ୟାଗ କରି କବିତାର ଭାବ ଯେବେ ବସ୍ତୁନିଷ୍ଠ ବିଷୟାବଳୀ ସହ ସଂଯୁକ୍ତ ହୁଏ, ତେବେ ତାହା ସମସ୍ତଙ୍କ ହୃଦୟକୁ ସ୍ପର୍ଶ କରିପାରିବାର ସାମର୍ଥ୍ୟ ରଖେ । ଜୀବନ କହିଲେ ଯେଉଁ ବ୍ୟାପ୍ତି, ଯେଉଁ ରହସ୍ୟମୟ ଅବବୋଧକୁ ଇଂଗିତ କରେ, ତାକୁ କବିତାର ବିଷୟବସ୍ତୁ କରିପାରିଲେ, ତାହା ପ୍ରତ୍ୟେକଙ୍କ ଅନ୍ତର୍ମନକୁ ସ୍ପର୍ଶ କରିପାରେ । ଡ. ରଥ, ତାଙ୍କର ଏହି କବିତା ସଂକଳନରେ ଜୀବନର ଅନେକ ଅବ୍ୟକ୍ତ ଅନୁଭବକୁ ଛୋଟଛୋଟ ସ୍ତବନ ମାଧ୍ୟମରେ ପରିପ୍ରକାଶ କରିଛନ୍ତି । ଜୀବନକୁ ଏକ ଦାର୍ଶନିକର ଦୃଷ୍ଟିଭଙ୍ଗୀରେ ଦେଖି ଦେଖାଇବାକୁ ଚେଷ୍ଟା କରିଛନ୍ତି । ତାଙ୍କ କାବ୍ୟ-ସ୍ୱରରେ ବୈଦିକ ଋଷିତୁଲ୍ୟ ନିର୍ଲିପ୍ତତା ଲକ୍ଷ୍ୟ କରାଯାଇପାରେ । ଦୁଃଖ-ସୁଖ, ସ୍ୱପ୍ନ-ସ୍ୱପ୍ନ ଭଂଗ, ଜୀବନ-ମୃତ୍ୟୁ ଆଦି ଅନେକ ଅବବୋଧ ଅଛି ଏ କବିତା ମାନଙ୍କରେ । ମାତ୍ର ଏସବୁର ଅଳୀକତାଠାରୁ ନିଜକୁ ବିଚ୍ଛିନ୍ନ କରି ଏକ ଉର୍ଦ୍ଧ୍ୱ ସ୍ତରରେ, ଏକ ସକାରାତ୍ମକ ସାର୍ଥକ ଦୃଷ୍ଟିଭଙ୍ଗୀ ସହ ଜୀବନକୁ ସାମ୍ନା କରିବାର ଆହ୍ୱାନ ବି ଅଛି । ଖୁବ୍ ସହଜ ସରଳ ଶବ୍ଦ ଏବଂ ଶୈଳୀ । ମାତ୍ର ଏହାର ପ୍ରଭାବ ଗଭୀର ।

    ଡ. ରଥଙ୍କ ଏହି ସଂକଳନସ୍ଥ କେତେଗୁଡ଼ିଏ ପଂକ୍ତି ଆନ୍ଦୋଳିତ କଲା ।

    ୧) ଜୀବନ ବେଳାରେ ସୁଖର ଢେଉଟି

    ସଦା ଆସେ ନାହିଁ ଫେରି

    ହରଷ କାଳର ମଧୁର ସ୍ମୃତିଟି

    ସଦା ପଡ଼େ ମନେ ଝରି (୧୧)

    ୨) ହସିଲା ମୁହଁରୁ ବୁଝନା ବଂଧୁ

    ଦୁଃଖ ଯାଇଛି ଚାଲି

    ଏତିକି ବୁଝିବ ଦୁଃଖକୁ ସିଏ

    ହସରେ ଦେଇଛି ଗୋଳି (୯)

    ସଂକଳନ ‘ହେ ଜୀବନ’ ପାଠକୀୟ ଆଦୃତି ଲାଭ କରି ସଫଳତା ଅର୍ଜନ କରୁ, ଏହା ହିଁ କାମନା ।

    –ବଂଶୀଧର ଷଡ଼ଙ୍ଗୀ,”କବିତା ଘର”, ଗୁହାଳପଡ଼ା, ନିମାପଡ଼ା, ପୁରୀ-୬

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  • Hidamati

    Hidamati

    ନିତ୍ୟାନନ୍ଦ ମହାପାତ୍ର (୧୭ ଜୁନ୍ ୧୯୧୨ – ୧୭ ଅପ୍ରେଲ ୨୦୧୨) ଏକଧାରାରେ ଥିଲେ ଜଣେ ଔପନ୍ୟାସିକ, ଗାଳ୍ପିକ, କବି, ସାମ୍ବାଦିକ ତଥା ରାଜନୀତିଜ୍ଞ । ଓଡ଼ିଶା ବିଧାନସଭାର ସଦସ୍ୟ ଭାବେ ସେ ୧୯୫୭ରୁ ୧୯୭୧ ପର୍ଯ୍ୟନ୍ତ ତଥା ଯୋଗାଣ ଓ ସଂସ୍କୃତି ବିଭାଗର ମନ୍ତ୍ରୀ ରୂପେ ୧୯୬୭ରୁ ୧୯୭୧ ପର୍ଯ୍ୟନ୍ତ କାର୍ଯ୍ୟରତ ଥିଲେ । ଓଡ଼ିଆ ପତ୍ରିକା ‘ଡଗର’ର ସମ୍ପାଦକ ଭାବରେ ସେ ଲୋକପ୍ରିୟ ଥିଲେ । ତାଙ୍କ ରଚିତ ଉପନ୍ୟାସ ଭିତରେ ‘ଭଙ୍ଗାହାଡ଼’, ‘ଘରଡିହ’, ‘ହିଡ଼ମାଟି’, ‘ଜୀବନର ଲକ୍ଷ୍ୟ’, ‘ଜୀଅନ୍ତା ମଣିଷ’, ‘ଜଳନ୍ତା ନିଆଁ’, ‘ସୁଖର ସନ୍ଧାନେ’ ଇତ୍ୟାଦି ଉଲ୍ଲେଖଯୋଗ୍ୟ । ତାଙ୍କର ପ୍ରକାଶିତ ଗଳ୍ପ ସଂକଳନ ହେଲା ‘ଏଗାରଟା’, ‘ଆଖି ନାହିଁ କାନ ନାହିଁ’, ‘କ୍ଷଣିକ’, ‘ଧଳାଗାର କଳାଗାର’, ‘ରାଜକନ୍ୟା’ । ତାଙ୍କ କଥା ସାହିତ୍ୟରେ ଗଭୀର ମାନବିକତାର ପରିଚୟ ମିଳେ । ଆବେଗପୂର୍ଣ୍ଣ ତଥା ମାନବଧର୍ମୀ ବର୍ଣ୍ଣନାରୀତି ତାଙ୍କ ରଚନାର ବିଶେଷତ୍ୱ । ସେ ପାଇଥିବା ପୁରସ୍କାର ମଧ୍ୟରେ ‘ନାହଂ ତିଷ୍ଠାମି ବୈକୁଣ୍ଠେ’ ଜୀବନୀ ଗ୍ରନ୍ଥ ପାଇଁ ୧୯୮୦ର ଓଡ଼ିଶା ସାହିତ୍ୟ ଏକାଡେମୀ ପୁରସ୍କାର, ‘ଘରଡିହ’ ଉପନ୍ୟାସ ପାଇଁ ୧୯୮୭ର ସାହିତ୍ୟ ଏକାଡେମୀ ପୁରସ୍କାର ତଥା ୧୯୯୯ର ଅତିବଡୀ ପୁରସ୍କାର ଉଲ୍ଲେଖଯୋଗ୍ୟ ।

    240.00
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  • Hidden Heritage: The Lesser-Known Temples of Odisha

    Hidden Heritage: The Lesser-Known Temples of Odisha

    Hidden Heritage: The Lesser-Known Temples of Odisha” invites readers on a journey into the heart of Odisha, uncovering its forgotten spiritual gems and architectural marvels. Beyond the grandeur of Puri and Konark lies a landscape adorned with ancient temples, many of them obscured by time and modernity. This book illuminates these hidden treasures-each temple a silent witness to centuries of devotion, artistry, and cultural evolution. Perfect for history lovers, art enthusiasts, and explorers of the sacred, this book uncovers a world where every carving and pillar speaks of a bygone era, urging us to preserve these remnants of our shared past.

    320.00
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  • History of Ancient Odia Literature

    History of Ancient Odia Literature

    The moment I chose to write this book to outsource Odia literature, a part of my commitment as a historian impels me to seek and serve truth. The writing of history demanded a special kind of observation because all events, having slipped into the past, become hazy and indistinct except the documented traces. The undocumented events turn into memories. I learned to interpret the clues, signs and tracks through cultural memories of the past. But there is no reliable witness in the absolute sense. There is only more or less, reliable testimony.

    The book, in the process, turned out to be a means of clarifying my own ideas on the subject. I discovered the humanist dimensions of historical consciousness, although my western contemporaries seem to deny-or at least, put in doubt-the principles of humanism. I have also been guided by the practice of historical reconstruction in literary studies forced by the need to understand historical materials in their own context.

    I construct my propositions in two ways-by culling the signifying actions, characters, habits, aims and circumstances of writers and literary terms signifying attributes of literary works. I have followed R.S. Crane’s Critical and Historical Principles of literary History to organize my materials in succession of time, distribution in space and likeness and difference in character. I have undertaken to survey systematically he literary productions of my race through time. In all these primary units of interpretation are either works or, more commonly, authors viewed as the most immediate cause of the characteristics exhibited by their works; but the individual histories differ widely according to the fashion in which the basic principles of succession and of likeness and difference are construed.

    600.00
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  • Holistic Education Redefined: The Educational Philosophy of Prof. Achyuta Samanta

    Holistic Education Redefined: The Educational Philosophy of Prof. Achyuta Samanta

    Education is the cornerstone of human development, and its transformative power is most evident when it reaches the underprivileged. Prof. Achyuta Samanta, a visionary social activist and philanthropist, has redefined the landscape of education for marginalized communities through his pioneering institution, the Kalinga Institute of Social Sciences (KISS). His life and work exemplify a profound commitment to holistic education, ensuring that poor tribal students receive not only academic knowledge but also the values, skills, and opportunities needed to thrive in an ever-changing world. We are truly overwhelmed and astonished by the extraordinary KISS Model, which has transformed indigenous students into leaders across various fields. Holistic Education, which was once a mere dream for many educationists and nations, is being realized in its truest form through this remarkable initiative.

    This book is a humble attempt to document the life philosophy and educational vision of Prof. Samanta-a man who turned his personal struggles into an unwavering mission for social upliftment. His unique approach to education integrates knowledge, values, skill development, and well-being, ensuring that the students of KISS are not only educated but also empowered to lead dignified and self-reliant lives. The journey of KISS is a testament to the power of compassion and perseverance. It showcases how one individual’s commitment can create a sustainable model for inclusive and Holistic Education, creating pathways for economic and social empowerment, and ensuring opportunities for generations to come.

    500.00
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  • I Did. Did I?

    I Did. Did I?

    Bhaumik has a penchant for writing on surrealism. He blends dreams and myth together in his first novel ‘I Did, Did I?”. This is in fact natural for an 18 year old author to blend reality with dream and swing between two worlds. The protagonist lives with his nightmares and often has a journey between altered realities and visual metaphors.

    He knows that he is in a loop of varied existence until he tries to blend the instances that took place when a mysterious girl named Shreya who went to the same university where Bhaumik pursued his degree, shows up weirdly after a long time. He notices that things are no longer normal as they were before. Shreya and the nightmares that see him unceasingly try to convince him to get along with a few beings of a different dimension co-existing with the people on Earth.

    After multiple incidents and confrontation with altered realities, he finds more people like him, people who witness the changes. But those people are being pulled down by ‘others’ – the beings of other dimension. The protagonist gradually realizes about his powers – The power of inner-self – that counters the evil and protects him from their malicious ways of alterations.

    A novel that reveals the power of other self- the avatar that we are talking and reading about these days- A teenager’s deep dive into the world of surrealism – I Did. Did I?

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